Dave Davies, the legendary guitarist of the Kinks, relives his tumultuous life and times amidst the serenity of his Exmoor sanctuary. Walking across the moors that have fascinated him since childhood, Dave takes us back to life with Brother Ray in an extended working class family amidst the austerity of postwar London. Bringing to life its deprivations and triumphs, he reveals the profound sense of community and family bonds which underpins the extraordinary story of the Kinks. From their formation at a North London Secondary Modern, through time spent as backing band to an upper class crooner at debutante balls, Dave tells how the Kinks career as Searchers sound alikes was almost over before it began.That all changed though when Dave attacked his amp with a rusty Gillette razor blade in the front room of their semi detached house in Muswell Hill. Slashing the speaker, he produced the distorted, barking dog guitar riffs which powered their first hit, You Really Got Me, catapulted the Kinks to worldwide fame and in the process rearranged the sonic architecture of the 1960s. Finding himself at the unlikely age of 15 enshrined along with Brian Jones and Keith Moon as one of the three undisputed Kings of Swinging London, Dave trailblazed the rock 'n' roll lifestyle. As he puts it, Dave did the partying and Ray wrote about it. In America Dave's shoulder length hair and subversive sexuality on stage drove teenage TV audiences wild whilst scandalising the Rat Pack generation.Dave explains why The Kinks' refusal to compromise who they were resulted in them being banned from America at the height of their fame. For the next four years, while the Beatles, Stones and Who went onto global megastardom, the Kinks re-invented themselves as the quintessential English group with timeless hits such as Sunny Afternoon, Waterloo Sunset and Days. With disarming honesty, Dave reveals how the burning glass of fame caused the sibling rivalry between him and Ray to explode into violence on stage and mental cruelty off it. He tells how, by the end of 60s, the breakdown of the relationship between the warring brothers and his own surfeit of girls, drink and pills led to the mother of all rock 'n' roll meltdowns. Following the failure of his briefly successful solo career, Dave finds himself locked in a New York hotel room, listening to voices telling him to jump.

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摄影流畅且气质冷静，将观众也置身于旁听席，但不带批判，视角中立客观。音乐亦是如此，钢琴的点状节奏一丝不苟，略带低沉的情绪，但没有暗示性。整部片子下来废镜头很少，偶尔几个看起来没有意义的空镜足够简短且起过渡作用。整个故事不是简单的你对我错你死我亡，而是人与人之间明明相爱却无法相处，我们某些时刻会在亲密关系中成为怪物用最要命的利刃伤害对方。夫妻明明灵魂契合，却始终要彼此妥协，直到一方不再被爱意遮蔽双眼，开始计较付出和自己的时间空间，开始想要脱离家庭找到自我，等等。孩子在这个故

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在三国杀风起云涌的那几年，即便对游戏并不热衷的文学少女在下，也曾歪打正着的误入过不少次牌局。在将新手必犯之错集大成之后，终于在老司机们怒其不争的指点下，有了醍醐灌顶般质的飞跃——我学会了使用郭嘉，竟偶尔也有神来之笔，宛若高玩，也斗胆藏着心虚笑傲群英，倒不失是一种快乐的体验。 之后再看到三国相关，或多或少会揉入些当时游戏带来的惯性思维，大抵是除了史实之类严肃的东西之外，也会在意到其在观感及参与过程中，是否也能感受到快乐。近日《大军师司马懿之军师联盟》开映，基于习惯关注，却带来不少意外惊喜。一口气连追十一集，既少审美上的疲劳，亦无情节上的厌倦。甚至有些观影快感，类似我个人偏爱的美英日剧，这时候我发现我好像开始喜欢上了这部《军师联盟》，这令很少对国产剧有感的我自己都有些惊讶。仔细想想，并非观影审美降低，而是这部剧确有其闪光之处。 首当其冲想从郭嘉谈起，除了个人对这个历史人物形象的偏爱，归功于《军师联盟》恰到好处的从一个巧妙的角度去展现了这位曹操口中的鬼才。剧情开端便推出了奉孝君，一面

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我们的关系在我眼中可以有很多定义我们的关系可以是电话接起来是话语延绵放下去是心灵牵挂我们的关系可以是水杯动起来是人生波澜稳下去是自省明镜我们的关系可以是剪刀张起来是情感蓄势剪下去是灵感挥发我们的关系可以是云朵拼起来是青春画卷散下去是生活点滴我们的关系可以是彩虹看起来是魔幻色盘走下去是幸福桥面而你的定义很简单你说我们的关系是爱

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多杰和格桑的离家出走，以及父亲和奶奶的关爱，是小黑颈鹤故事中的一个重要环节。这些情节展示了家庭成员之间的情感和信任，以及他们如何面对亲情和挑战。