The documentary investigates late American Nobel laureate Carleton Gajdusek's enigmatic discoveries. Gajdusek discovered mad cow disease on Papua New Guinea in the fifties, as well as twenty previously unknown stone-age peoples and languages. From the late 1940's and onwards he commuted the world, focusing on the most isolated peoples still remaining on the globe. He adopted 57 children to his commune at the National Institutes of Health, MA, USA -most of them boys. In the late 90's he was charged with having abused one of the boys in his care - a then 16-year old boy from Micronesia. The film reveals how Gajdusek in fact was a self-proclaimed pedophile, who admitted to having had sex with numerous other children as well. One man who was abused in childhood is interviewed in the film, as well as several legendary scientists who were friends of Gajdusek and deemed the sexual parts of his character as of less importance

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电影该剧以一种引人入胜的方式，探讨了权力和自由的主题。科里奥兰纳斯·斯诺和露西·格雷·贝尔德的命运交织在一起，他们面对着残酷的游戏规则，同时也挑战着这些规则。

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该剧是一部紧张刺激的科幻电影，描述了地球即将毁灭时人类建造巨大的推进器寻找新家园的故事。影片中的宇宙之路危机四伏，年轻人第三次挺身而出，展开生死之战，令人印象深刻。

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影片的细节缺失不连贯，很多需要脑补，以下是本人补完的情节：话说，在英国，有一家天上人间脱衣舞俱乐部，突然爆炸了，死伤惨重，凶手被绳之以法……N年过去了……一家娱乐场所，一位衣冠楚楚的绅士在欣赏舞蹈艺术，舞娘长得非常具有野性美，勾起了绅士的艺术细菌，就要和美女即兴共舞一段日本经典爱情动作热舞，美女一见有知音，拿出道具一递，结果绅士用脸没接好，就捅眼睛上了，绅士就死了。要说这舞娘不但是美女，还是一位才女，为什么这么说呢，你看人家连跳脱衣舞都不忘带支钢笔（各位看官，不纯洁的问一句，她笔放哪了，我没看清），一看就真是有文化，更难得是还有品味，连钢笔都是纯银地。再说这小子真是该死，以为自己是黑社会狼人社团就无法无天了，也不打听清楚，岂不知此女正是社团二当家的马子，连二嫂都敢动，早晚让关二爷一刀削死他……好了，剧透就到这里吧，后面就没有什么难理解的内容了。就是宅男在政府征用的空屋里大战狼女那段有些不清不楚的，狼女的来历和去向没交待清楚。整体来说还算不错，通篇的英式幽默，看结尾还能拍个续集

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取了个小红书标题?后劲很大的电影…因为不了解导演，也很少看讨论深度层次很深的影片，只是被偶然推荐的这部电影，所以一开始一直抱着“凶手到底是谁”的想法紧盯每一帧妄图从每个人的嘴里找到蛛丝马迹。随着剧情推进，想法转变成了“这大概在刻意性别转化来抨击女性在家庭角色中的困境吧”，再往后看发现电影想讨论的远远不仅于此，开始思考“为什么samuel会走向这样的结局”，最后看到女主桑德拉在漆黑的夜晚缓缓躺下，那条被samuel隐喻成自己的大狗主动跑到桑德拉身边趴下静静陪伴熟睡的她时，终于连