It is a known fact that antiquarian bookseller and carefree, innovative personality, Frede Smith, was so attached to Asta Nielsen that he was the shoulder she cried on during the period of grief after her daughter, Jesta's suiside in 1964.Not many people have any idea of how deep their friendship was or how long they had been friends. Only now, several years after Frede Smith's death, a discovery of so much material and so many effects amongst his extensive possessions, can reveal the hidden truths. Not least, thanks to an enormous amount of large tape reels containing recordings of more than 80 hours telephone conversations between Asta and Frede during the period 1957-1959, as well as a number of conversations, from the same periode, that Frede had with Asta's daughter Jesta and her husband; Asta's son-in-law, Poul Vermehren. Altogether tape recordings made in secret by Frede Smith and hidden well for posterity.The telephone conversations invite us into a quite unusually warm and loving friendship. Into a private, intimate sphere which Asta Nielsen otherwise shied away from in public. In her great autobiography The Silent Muse, she would not reveal anything of her private thoughts and experiences - about her daughter and her husband, her former marriages with the film director Urban Gad, the Swedish magnate Freddy Wingårdh and her Russian actor Gregori Chmara, whom she lived with for 13 years without being lawfully married.About her many clashes with Danish mentality when she returns from Germany in 1937, her attitude towards Nazism, the Danish culture, her many rejections in trying to obtain a cinema concession in Denmark after the war, attempts at a come-back to the Danish theatre scene, her life which in many ways became lonely and bitter - and not least - her relationship to her daughter and son-in-law, especially her daughter's very characterstic fate, reflected through the daughter's battle with diabetes and overweight.With Frede on the phone, the silent muse became the talking muse - and perhaps Frede was the film prima donna's last hope for glorious "golden days".The film shows footage from a large number of Asta Nielsen's many films. She recorded, in total, 74 films during the period 1910 to 1932. An extensive, private arcive and personal effects which she also entrusted to Frede Smith, as well as plenty of private footage from Germany and Denmark.

Den talende muse - samtaler med Asta Nielsen手机高清在线播放

七八年前，刚上大一，班里组织我们去福利院看望残障儿童，印象很深的是，当我们面对这群和我们有些不太一样的孩子，我们不知道还怎么与他们交流，尴尬地在那站着，我不知道我们那么尴尬地站着是不是也是对孩子的一种心灵伤害。后来在网上看到一些科技公司在各种设备上推出无障碍模式，也去看了一下他们分享的故事，哦，原来视力障碍的人也是可以使用智能手机，也可以进入科技公司上班，甚至可以做程序员去敲代码。在公司上班的残障人士也分享，他们不希望被当做弱势群体对待，他们可以做的事，你很有爱心地帮他

Den talende muse - samtaler med Asta Nielsen免费在线观看高清版

该剧不仅是一部家庭剧，更是一部关于成长、友情和爱情的故事。在石振邦和杨武的兄弟情谊中，我们看到了他们从认识到信任、支持到共同成长的历程。这种真挚的情感让人动容。

Den talende muse - samtaler med Asta Nielsen电影完整版

我从来没有看过这样的电视剧，这样诗般的旁白和台词，极富戏剧性的演绎，让整部电视剧如同一个舞台剧，跌宕起伏。而最让人印象深刻的是台词，优雅而旷远，仿佛所有的画面都从一部小说里浮出来。《大明宫词》里有一种远离真实的形式感，一套遥远而崇高的爱情哲学，还有史诗歌剧般的优美、铿锵和悲壮。你时而跟随导演的镜头走进李弘的寝宫，灯光如同博物馆一样幽微，名叫合欢的清秀娈童为他梳理一头女子般的青发，铜镜上照出太子英俊忧郁的面孔，眉宇间透露出一个贵族面对权力的犹疑，仿佛只有那和娈童的信物——

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电影该剧以林楚楚（春夏饰）和她的男友于可风（李现饰）的感情纠葛为主线，展示了人生的无常和爱情的风险。在等待初恋男友年的过程中，楚楚历经痛苦，最终等到了他的背叛，让她对爱情失去信心。这部电影让观众看到了爱情中的美好和残酷，也教会我们珍惜眼前人。