Pablo César is an Argentinean filmmaker. He started shooting cinema when he was 13 years old after his older brother José María, who was also a filmmaker, gave him an Super 8MM camera and taught him about the arts and techniques of making movies (only 4 years later José tragicaly passed away leaving behind him a very shocking filmography).Pablo shot twenty short films and two long feature films in Super 8mm which are called "From the faces of the mirror" and "Diary of a madman". Later he shot seven long feature films in 35mm: "The holy family" (1988), "Equinox (the garden of the roses)" (1991), "Grey fire" (1993), "Unicorn (the garden of the fruits)" (1996), "Aphrodite (the garden of the perfumes)" (1998), "Blood" (2003) and "Hunabkú" (2007). He has been constantly recognized for his particular vision and his daring narration skills.He is an international pioneer in developping co-productions between his home country, Argentina, and India, Tunisia and Mali. Along with those countries he dedicated many years to shoot a very particular trilogy inspired in old Sufi poems and some ancient mythologic texts. All of his films have been awarded at different festivals all around the world. He has also taken part at juries of International Film Festivals such as Amiens (France), Montréal (Canada, Film Festival for Young People), Kelibia (Tunisia), Huy (Belgium), Hyderabad (India), Ouagadougou (Burkina Faso), Villa Carlos Paz and Buenos Aires (Argentina). He has been teaching movie direction, production and his seminar of author's cinema at the University of Cinema in Buenos Aires since 1992.
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该剧中的花千骨是一个勇敢、善良且聪明的女子，她与白子画之间的爱情故事令人感动。该剧不仅展示了爱情的力量，还传播了积极向上的价值观。（分）
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这部影片具有很强的讽刺意味，它揭示了人们在面对现实问题时，往往采取荒诞和幽默的方式来解决问题。
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旧社会把人变成鬼，新社会把鬼变成人。如何区分新社会与旧社会？旧社会阶级固化，“人分三六九等”，贵族视“贱民”如草芥，而“无权无势”的“贱民”永无翻身之日只能“忍”。新社会抑制剥削抑制压迫抑制腐败，让底层百姓活的有尊严，活的“有善良的资格”。剥削压迫腐败永远无法完全消灭，就像人体每分每秒都在产生代谢废物，每分每秒都在遭受细菌病毒的入侵，但只要免疫系统正常工作，人就不会生病可以健康生活。新社会就是因为有了这种“免疫系统”，能将剥削与腐败及时消灭在萌芽之中。那么这种“免疫系统”
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在电影该剧中，科里奥兰纳斯·斯诺是一名岁的饥饿游戏导师，他与来自第十二区的贫困女孩露西·格雷·贝尔德成为“生死相依”的命运共同体。在竞技场上，他们必须面对自由、食物、尊重与权利的生死角逐。影片中展示了人性的复杂和社会的黑暗，尤其是在生死游戏的规则背后，更是反映了社会的残酷和不公。（条）
