The Jetsons have made their film debut in a film about family, friends, and all that stuff. George's tightwad boss, Mr. Spacely, is determined to get his remote factor on his ore asteroid miles away to make 1,000,000 sprocketts, but all the vice-presidents sent to run it have disappeared for some reason, so Mr. Spacely must find someone else to run it: it would have to be someone mighty brave, and mighty stupid. So who does he pick? George Jetson. So George packs up his family: Jane, his sensible and loving wife; Judy- his rebellious teenage daughter who's gotten a new boyfriend: a super galactical rock star; Elroy- basketball champ who's losing faith in his father; and Rosie, his sassy maid. So while Judy meets another boy and enjoys a huge shopping mall, George sets off to work with his new friend, a robot foreman named Rudy 2. The factory is soon sabotaged on opening day, so George intends to investigate and disappears. So it's up to Elroy and his new friends to rescue George. Along for the ride are Judy and Jane. A wild futuristic romp on a screen bigger than your TV

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这部电影是我个人的年度十佳。把一个相对俗套的故事叙述的精彩是很卓越的。我没有对拍摄手法等分析的专业视角，我想讲的是其中一个比较小的点，非母语者的辩护。女主角是德国人，第二语言是英语，跟随母语为法语的丈夫从伦敦迁徙到法国生活。丈夫离奇死亡后，妻子要在法庭上为自己辩护。她的法语水平有限，于是在法庭上请求法官允许她使用英语辩护。夫妻双方甚至就家庭语言发生过争吵，涉及到将就、妥协和权力让渡。前段时间跟三位男性警察argue时，我深感语言的禁锢。在有明显的权力上位者-男性警察，和权力

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桑杰的小屋成为故事发生的核心，桑杰的庭院成了一个战场。在这里，他和小屋外的敌人展开了殊死搏斗，同时也向观众展现了他的勇敢和智慧。

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该剧通过讲述樊锦诗的故事，展现了几代敦煌人在保护和发展敦煌事业中所做出的贡献和努力。这部电影让我们更加深入地了解敦煌研究院的历史、文化，以及这些年来发生的翻天覆地的变化。

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建议真·悬疑爱好者直接移步去看原版《看不见的客人》，属于神作。我不讨厌（购买版权之后的）翻拍，很多翻拍作品做了合理的本土化改编，加入了自己国家的社会文化元素，我觉得没问题，哪怕前作珠玉在前，翻拍更适合中国宝宝体质，也是有价值的。但是这部电影的问题在于，我看不出它“翻”的意义。（有底朝天剧透哈。）把反派从男性改成女性：我倒也不赞同豆瓣有些评论说这个改动辱女，相反我觉得文艺作品多塑造风格各异的女性形象，包括恶女形象才是对女性的重视，对女性更多可能性的探索。但这个改