Three generations of women discuss their inner emotions and their interaction with society in this drama from longtime Jean-Luc Godard protégé Anne-Marie Mieville. She uses the sudden editing stops seen in Godard's early work to tell the story of these noble women who live in a world dominated by incurably egomaniacal men who are incapable of satisfying the basic needs of women. Odile (Helene Rousel) is the grandmother, whose job with a car salesman has turned into a necessity she can't afford to give up. Agnes (Anny Romand), Odile's 40-year-old daughter is an intellectual who never married. Although she has had relationships with men, she is seriously questioning their usefulness at this stage in her life. Granddaughter Angele (Gaele le Roi) is a 20-year-old vocal student who contemplates having a child to keep her relationship alive with a boyfriend who is not ready for the responsibilities of fatherhood.

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这部电影以樊锦诗的故事为主线，展现了中国敦煌研究院几代人为保护莫高窟所做的贡献和付出。通过传神的表演和细腻的描写，影片将观众带入了一个真实而感人的世界，让人对敦煌研究院的传奇历史产生浓厚的兴趣。（条）

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✨??温暖明亮多彩的影片《旺卡》Wonka，看流泪了！我甚至觉得比我小时候看了很多遍的^查理和巧克力工厂^还要让我感动心动有惊喜！这个旺卡塑造得好温柔又顽皮，随性又智慧，好喜欢?！甜茶演技很美:)里面的OST音乐?也是非常优美励志好听。。。之前版本的WillyWonka有些神经质“不食人间烟火”。。而最新版的Wonka更人性化，温暖美好富于创新闯荡世界。。这些都是我超喜欢的特质！有创造力想象力，为朋友做出很多，还有与母亲间的温馨幸福的亲情令人动容！。。这段很治愈的童年

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影片里打动我的一个电影时刻是Douglas扮装成女歌星，他双脚离地、左右摆动，歌词正好滑落到“EmportésparlafoulequinoustraîneNousentraîne”（译为:我们被人潮推来推去。）这句歌词很好的概括了Douglas的命运，随波逐流，狭缝中生存。我觉得这也是他在joker的光亮下黯淡的原因，因为他其实没有一定要去做的事情，缺乏人物的主动性，就像是父亲开枪打掉他一根手指，他才会想要去逃离狗笼，但他并非之前不可以去用那样的方式去报警呀。但我特别喜欢他这条随波逐流的线，这条隐线在我看来很值

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该剧的剧情紧凑、情节跌宕起伏，特效华丽、场面壮观，给观众带来了一场视觉盛宴。尤其是花千骨与白子画之间的对手戏，情节曲折、爱意萌动，让人对这个爱情故事更加期待。