One of the most influential Soul Cinema pix ever to shoot onto the screen, Cotton Comes To Harlem spawned the Blaxploitation boom by delivering a “refreshingly different detective action yarn with soul and humor” (Cue) and an unbeatable mix of “humor and excitement!” (Los Angeles Herald-Examiner). Detectives “Gravedigger” Jones (Godfrey Cambridge) and “Coffin Ed” Johnson (Raymond St. Jacques) are on a case investigating a crooked Reverend (Calvin Lockhart) – a brother whose “Back to Africa” campaign is nothing more than a big scam. But when $87,000 of the Reverend s laundered cash gets stashed in a bail of cotton, Gravedigger and Coffin find they’re not the only dudes suddenly interested in soaring cotton prices as they come up against the mafia, the police, black militants and street thugs in an all-out dash to nab $87,000 cash.

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描述了华人金牌女律师陈智琪，在女儿被绑架后，接到神秘电话要求她为一位死刑犯做无罪辩护的故事。陈智琪为了保护女儿的安全，答应了神秘人的要求，展开了一场惊心动魄的辩护之旅。

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《唐人街探案》以和马蓉离婚为话题提前制造噱头霸占头条形成持续宣传热度，为票房不惜一览无余的全面展示自己低劣的人品，家丑不可外扬的事偏偏拿到公众平台恶心大家，装无辜但细节出卖了自己。不知精明的这小子又整出什么爆炸性新闻以带动宣传节奏？缺少内容支撑，雇佣水军只能吸引看热闹者围观，专业人士们会不屑和不耻。

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原著党坚持看完集，越往后越煎熬。大众观众绝对会被劝退，而且导演要负绝大部分责任。《平原上的摩西》作为“东北文艺复兴”三杰之首双雪涛的成名作，本身兼具文艺性与悬疑性，一股老东北下岗大潮里的时代压抑与个体命运阴差阳错的结合体，很有改编张力。电视剧比电影有时长优势，本应做得形神兼具，结果被导演生生整成了“两不靠”。我观影那么多年，这是少见的影视剧悬疑感还不如纯文字的剧！一平到底，线索晦涩，毫无高潮，结尾魔改。导演张大磊也是个人才。粗盘一下，此剧槽点包括但不限于：、叙事

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