Lazar Ristovski是前南著名男演员，主演过《铁托与我》《地下》等片。这是他首次个人编导的作品，风格与《地下》相近，改编自他自己写的小说。"All that was shown in this film really happened" - says Lazar Ristovski - "but I wanted to raise the film a foot above the ground and charge it with a taste of surreal and poetic. Why? Because the audience today is much to burdened by the reality of life (especially in Yugoslavia) and it needs an embelished image of the world relying on the romantic passion, emotions, lust, poetics, chivalry, readiness to play games and tollerance".All the characters in the film - regardless of their social, educational or cultural background - are selfaware and allow themselves to ponder on large issues like life itself, love, survival, existence, death, the endless circle, the passage of life and the imperfect nature of Mankind. They are not afraid to show their true feelings and true colors. The lead character goes one step further: he is not even afraid of death.http:www.zillionfilm.com/eng/odelo/index.htmlhttp:www.lazarristovski.com/eng/film_romani.htmlThe White Suit a short novel by Lazar Ristovski, was written based on the script from the homonymous film, and represents a finale of a major project d'auteur, quite unique in the cultural environment in our country. Producer, scriptwriter, director and main character of the film The White Suit, Lazar Ristovski also tried his hand at writing showing, in a perfect way, that where talent and high professionalism are a prerogative, versatility need not be an obstacle in creating works of art that possess certain artistic value. Similar examples are hard to find here, and globally actor and writer Sam Sheppard might be quoted as an approximate and very charming reference.In the novel The White Suit, just like in the film script, the proven recipe used with success for nearly two decades in our films and theaters was chosen - you put together different characters in one place: a train, a bus or an underground and then you let them speak and operate - something is bound to come out of it. This scheme provided Lazar Ristovski with firm ground for evolving the story of a little man - expandable element in the framework of local and world history. The writers view of the world, a punning setting on wheels, is backed in the novel by the melancholic-comical meditations of the lead character, with his naive considerations on the fate of the world in which he also has a small, unimportant role, and, above all his courage to play out this role to the end, whatever it is.The quick alternation of tragic and comical images dominated by elements of melodrama and fantasy, street humor based on gags and witty, but also on "delayed effect" dialogues, the geographic mentality with all its fascination and horrifying sorrow, all this has been packed - with more or less success - into the ancient clicho' based on the belief that man sees his life flash by like film scenes in the moment of dying. Hence, "two days in two seconds" lived by sergeant major Sava comprise all the opposing elements that make an average human life: love and death, joy and sorrow, weddings and funerals. Brilliant episodes have been reached in several points of the novel: the encounter with the brother in Flat Village, Carmen at the train compartment door, or the Nulic-like scene with the captain and the telegram. The episode with the beautiful Romanian woman at the train window, while the protagonists stares at her behind and meditates on the human philosophy and its effects, is an outstanding quote of the unmatched Rabelais.

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该剧以年南京为背景，讲述了一个特工金深水（张译饰）在南京城里与日本军方、汪伪政府和军统势力斗争的故事。影片通过这个角色的生存经历，揭示了战争对城市和普通百姓的毁灭性影响。

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该剧以一组感情很好的缉毒队队员为主角，讲述了他们在执行任务时遭遇失败，成员们彼此信任、相互支持，为了共同目标而团结一致。剧中情节紧凑，气氛紧张，给观众带来了强烈的视觉和心理冲击。

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电影虽然起了个烂俗的名字还好内容没有拉胯，依旧给观众带来了感动和共鸣，如果说年龄段来表述那上一部就是-的初出茅庐创业艰难，第四部就是-的平淡如水追求圆满。感谢导演没有给于飞丁点安排流程式婚礼凑时长，婚姻本来就是两个人的磨合，磨合成功就很自然的步入下一阶段失败就走开重新开始新的旅程，对已婚男人抗拒回家和熬夜的情节非常写实。关于孟云的感情历程我觉得也很符合现代人的特点，和林佳的再见就是那么平平淡淡毫无波澜，和柳柳再有缘分相性再好最后也没能走到一起，现实生活就是这样充满了

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最终，他们成功地完成了任务，但也付出了沉重的代价。面对警方的追捕，他们不得不离别，各自回到了原本的生活中。