All you need is love is a movie that is ironic about Brazilian contemporary cinema, today polarized into two genres: violence and life in favelas and soap-operas. The main character is Sergio, a kid who roams through the streets of a city intriguing yet unknown. In a sort of rite of passage to adulthood, Sergio needs to summon the courage to shoot his first victim in order to gain the respect of his gang. Only at the very end of the film, when he finally gets ready to pull the trigger, the real reason for his mission is revealed. The films original sound track, inspired by the famous song by the Beatles, is composed by Sao Paulos up and coming MCs and rappers. The music is key in understanding the story in an ironic game of references among cinematographic genres. What appears to be yet another film about urban Brazilian violence, reveals itself only in the final rap notes. All you need is love was shot using RED cameras and is a completely independent italobrazilian production
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在香港的黄金年代“拍电影”并不是一件“赚钱”的事,强如刘镇伟、周星驰、甄子丹、刘德华先生都是开公司拍电影倒闭,轻则赚钱还债,重则自闭的典型,哪怕拍出《僵尸》的无敌富二代麦浚龙,仍在为年就拍完的《风林火山》超支还债中。讽刺的是这些拍到倒闭的电影中可谓佳作频出,可见电影是一部“理想”与“现实”的跷跷板,你可以为理想献祭不惜代价,但当“现实”落下来的时候你才能感到“理想”的重量。有鉴于此,虽有戏瘾但不打算收手的“阿祖”刘德华年计划以部电影的片酬分三批资助一个叫做“亚洲新
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和预想不一样,我还蛮喜欢的。很不一样的宁浩,一样不留情地讽刺,但不是疯狂系列的那种喜剧电影。电影通过呈现一名演员想要证明自己的努力与实力拼命投入去拍一部农村题材的电影的过程,透现了人与人之间难以逾越的沟通与偏见——每个人绝大多数时间只能以自己的视角和格局去理解世界看待他人。依然黑色幽默的宁浩,摒弃浓郁、化繁为简地风格表达,精准揶揄了电影圈(想拿国际奖项就拍大棉袄题材、投资人比谁都“专业”对电影拍摄挥斥方遒带人进组、为资金随意植入烂广告)、公关媒体通过各种手段操控舆论与
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还没看过《奥本海默》的影迷,可以先打个预防针。只要你提前预习过奥本海默的生平,就不要期待会有任何悬疑的亮点,电影里表现的都是百科条目的内容。如果你不预习,就会收获到一个冗长难熬的超长MV。与以往虚构的科幻作品不同,本片极度缺乏视觉奇观,这个关键卖点可以说是诺兰电影的半个灵魂。排除了悬疑和视觉奇观这两个亮点,诺兰手上的王牌只剩下非线性叙事和辅助配乐。不同于简单的敦刻尔克事件,传记电影涉及人物之多、时间跨度之大、历史背景之深厚,即使诺兰很努力地弥补叙事,调用高端的音乐搭建转场
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该剧是一部讲述一组感情很好的缉毒队队员,在执行任务时遭遇失败,分道扬镳后为了缉拿毒枭展开殊死搏斗的警匪题材电视剧。该剧情节紧凑、悬念迭起,剧中角色刻画鲜明,演员表现出色,深受观众的喜爱。