The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. At last, a DVD release makes available a film that was strongly praised by the distinguished critic Kenneth Tynan. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics.Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.Both the style and the content of this film capture the feel of the sixties, yet it has potentially greater relevance now than when it was made. More than in the past, hidden committees, be they in democracies or otherwise, determine much of life today.The acting of Paul Jones and National Theatre actors Tom Kempinski and Robert Lloyd ably supports intelligent and imaginative directing by Peter Sykes. This is visual artistry of a high level. Peter Brook, the famous theatre director, applauded the technical achievement of combining diverse acting traditions to tell a dark and challenging tale.The musical score, written and performed by the Pink Floyd, is some of the most intellectual music the Pink Floyd have produced, according to music writer David King. This is music that has never been released before. Along with the Pink Floyd, and also enhancing the mood of the film, Arthur Brown performs his worldwide hit Fire. Few will note that his flaming headdress echoes the homey fireside of the Fabians Beatrice and Sidney Webb. But the touch of evil in the performance is unmistakeable.
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这部影片以令人难忘的方式,展示了飞鸭马拉德一家在纽约的冒险旅程。他们不仅要面对citylife的种种挑战,还要应对一系列惊险的事件。
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被称为“藏族版该剧”的该剧,在保持悬疑元素的同时,也反映了藏族地区的生活和民俗。通过独特的民族风格,展示了藏族人民在恶劣环境下的坚韧和乐观。
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作为一部电视剧,该剧在情感描写和角色刻画上做得十分到位,让观众对故事中的人物产生了深刻的共鸣和感情投入。
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这周看的电影是TurningRed/青春变形记工作日结束,社畜的双休,总得给点时间自己,去喘口气,释放自己。我想很多人会看到自己的影子,努力读书,努力工作,一辈子都在为了家人的认可。你喜欢的偶像是小混混,你听的音乐是trash,你的朋友会带坏你……你应该积极向上,对家人毫无保留,你应该听我的说话去做,honoryourparents但谁又能honorme?我想那只小红熊猫,一开始只是想保护自己。它只是被神化了,刻画成保护家族、鞠躬尽瘁、死而后已的画像。它是深层次的高我。它最希望得到的是尊重自己