Inspired by Farid al-Din ‘Attar’s “The Conference of the Birds“, the film tells of a flock of birds traveling in the wake of Hoopoe, towards the Mountain of Kafh, the home of King Simourgh, from which they expect to receive answers to all their questions. Between dream and reality, the birds cross the 7 Valleys. Most of them get lost along the way, except for the 4 of them who will make experience of 4 human being’s life: Monika (Albania), Abdurrahman (Turkey), Jihad (Syria) and Susan (Israel). Characters very different from each other, in terms of age, gender, culture and religion, territory of origin and mythologies, geographical landscapes and historical and psychological backgrounds. However, for the cases of life, but on the basis of their own specific different orthodoxy, it happens that each of them lives simultaneously in two or more religions. Not only “next door”, in an attitude of tolerance, but “living more than one at the same time”. Animated cinema, by way of metaphor, makes it possible to give visibility both to their spiritual commonality, in their absolute cultural difference, and to the antiquity of the wisdom tradition in which this commonality is inscribed: the Religion of Love. In the end, the secret will be revealed only to 6 birds: to the Hoopoe who guides them (but it too must first learn something); to the 4 who have lived the experience of Love of the human characters, plus a sixth, the most unlikely of all. Speaking of “Religion of Love” today might sound “paradoxical”, literally “outside of common opinion”, a trait destined to remain unperceived and not-documentable without specific dramaturgical work. The game between reality and fiction, therefore, on the one hand enhances the perception of meanings as “non-random”, on the other it allows you to play with the viewer’s belief devices, summoned to take a position, to “see” beyond their habits of perception, beyond the prejudices of common sense.

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人生如若有一千次相遇那么必定会有一次是你这辈子难以忘怀的邂逅她宛如清风扑面而来又带着稍许遗憾悄悄地离去于是你开始义无反顾的去寻找可最后 才发现即使踏遍千山万水 寻觅大江南北都找不到她曾经留下过得痕迹为多尔衮泪目， 玉儿她太过隐忍坚强，太过深明大义，以至于都有点不像是个女人了。她这一生，得到了太多的东西，爱，权力，地位。也失去了原本的天真，单纯，执着。她这一生圆滑世故，周旋于所有人之间。丈夫，姑姑，姐姐，儿子，情人，大清。她总能用自己的智慧化解矛

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罗希度的女儿姓金，而不是姓白，你们是失明了吗？从第一集就交待了罗和白不在一起的事实，你们为什么一定要求个皆大欢喜的he呢？罗希度是个非常以自我为中心的人，所以她不能理解也不想理解妈妈的辛苦和无奈，一直觉得是妈妈有愧于她，丝毫不看妈妈为了这个家为了拉扯大孩子所做的牺牲和付出（妈妈年纪轻轻一直未再婚）。在岁至岁年龄的罗希度心中，她想要得到的一定要得到，爱她的人必须服从并支持她，她想要的爱侣是陪伴型的，有没有事业不是最重要，只要能时时刻刻在她身边关心她、爱护她、为她加油、享

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只说一句，大团圆结局白瞎这部剧，一旦是这样的结尾，我立刻改为一星。我家多少年的恩恩怨怨，人死了都没见怎么原谅，大团圆结局也太轻浮了。不是说像我家这样真实，但也得说得过去吧。实在不想说太多，只想告诉导演，人生的痛苦不是那么简单就交代过去的，要是这样，让我成为那个让别人痛苦的人，然后轻轻乎乎的原谅我吧已经大团圆，坚决的打一星！！！

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如果按学院派的视角评分，肯定不能给五分，因为有些做作的滤镜和过多的抖动镜头都不是我的菜，剧情逻辑上也有硬伤。然而虽然有些跳脱但是我推荐搭配fateheaven’sfeel和fatezero来看…（。）吃穿不愁的人的正义是替弱者主持公道赢得尊严，穷人的正义是有床睡有屋住，用一个安身之处的代价换来自尊就像从船上走到了岸上，反而不知道该仰望什么了。所以与其一辈子当一个傻子或者当一个会思考但沉默的人，按自己的正义去做并且不要为此感到内疚就好了。因为现实就是这样，现在这个阶段就是这样，一个人甚至一群人