Vladislav Mikosha (1909–2004) really lived the shifting 20th century: At a young age, while working as a cinema projectionist, he saw the silent film NANOOK OF THE NORTH and realized that he simply had to become a cinematographer. After the invasion of the Soviet Union by German forces, he documented the horrors of WW II as a photographer. In spring 1943, the turbulent times brought him to Hollywood, where he met Ingrid Bergman and danced with Hedy Lamarr, a great star at the time. Charlie Chaplin even invited him to a film screening in his home, and was deeply moved by Mikosha's footage from the Eastern front.Both Mikosha's photos and his diary have strong poetic qualities. In Gunilla Bresky's documentary, his voice and images are combined into an intriguing cinematic form. I STOP TIME is a unique testimony and a moving film experience not easily forgotten.

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电影该剧通过一个充满政治阴谋的故事，揭示了人性的复杂和多变。在生存游戏中，选手们彼此对抗，但也都在为了自己的信仰和价值观而奋斗。

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该片讲述了一个失去家人的无助母亲和议员之子之间的复杂关系，以及一个充满欺骗、背叛和复仇的故事。情节跌宕起伏，是一部充满张力的电影。

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/多数时候，观影者在电影院中面对的是满溢屏幕的男子气概。这甚至潜移默化地影响了或正在影响人们的观影与审美偏好。男性角色在数量上占据绝对优势而在类型上趋向贫瘠单一。因此，这样一部女性视角的电影显得格外稀有。故事发生在当下，昨天、今天和明天；发生在身边，你、我和他；是日常的，普通的，又含有特殊性与各种冲突。导演通过一个“身边”的故事，以克制的表达，尝试去触碰当下社会的复杂性，包括农村与城市，传统与当代，女性与母职，离异与家庭重组，爱情与婚姻……在平静的叙述中传达深意。

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这部作品以独特的视角探讨了人类对生命的态度和女主人公在面临死亡时的勇敢和坚强。通过梦境和现实交织的故事，徐曼芳面对生命中的挑战，展现出了人类生命的宝贵和意义。