A sprawling two-hour forty-five minute documentary about screen legend Marlon Brando, features never-before-seen footage and a series of original, in-depth interviews from a wide variety of Hollywood figures and family members. Included are classic film clips from many of his films including "A Streetcar Named Desire (1951);" "Viva Zapata!" (1952); "Julius Caesar" (1953); "The Wild One" (1953); "On the Waterfront" (1954); "Guys and Dolls" (1955); "The Teahouse of the August Moon" (1956); "Sayonara" (1957); "The Young Lions" (1958); "Mutiny on the Bounty" (1962); "The Chase" (1966); "Reflections in a Golden Eye" (1967); "The Godfather" (1972); "Last Tango in Paris" (1973); "The Missouri Breaks" (1976); "Superman" (1978); "Apocalypse Now" (1979); "A Dry White Season" (1989); "The Freshman" (1990) and "Don Juan Demarco" (1995). Among the many peers, family members and friends making appearances include Ellen Adler, Ed Begley, Andrew Bergman, Bernardo Bertolucci, James Caan, Johnny Depp, Angie Dickinson, Robert Duvall, Jane Fonda, Frederic Forrest, Dennis Hopper, Quincy Jones, Martin Landau, Cloris Leachman, Karl Malden, Kevin McCarthy, Penelope Ann Miller, Edward Norton, Al Pacino, Arthur Penn, Sean Penn, Maximilian Schell, Martin Scorsese, Henry Silva, John Travolta, John Turturro, Jon Voight and Eli Wallach. The program also looks at Brando's involvement in civil rights and features interviews with Russell Means on Brando and the Native American movement; Bobby Seale, on his association with the Black Panthers; and Sacheen Littlefeather, the Native American actress whose on-stage rejection of Brando's Oscar for "The Godfather" is the stuff of Hollywood legend. Other interviews include family members and acquaintances that can shed light on Brando's very private life. Written by alfiehitchie
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以归国年轻人为切入点,亲历战争,知识救国的道路,让人感同身受。 我之前竟然完全不了解这段历史,现在觉得为那个时代的中国知识分子而自豪,他们爱国,爱家,爱知识,爱和平,爱真理。真正做到了“为天地立心,为生民立道,为往圣继绝学,为万世开太平”。主角选角成功,非常贴合人物,演技灵动,值得期待下部作品。
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个人认为《创世纪》是TVB商战剧的巅峰之作,没有之一。它积累了香港~年代商战片的精华和表演天赋,无论剧情创作还是演员阵容,都于世纪末达到TVB的巅峰。 为什么它这么nb,却在观众群和影响力上不及它学习并明显超越的“前辈”《大时代》或《天地男儿》呢? 窃以为这主要受世纪之交时代变化以及因之带来观众群的换代及其口味变化的影响,这一因素不仅影响了港产电视剧,香港电影受到的影响更甚:星爷作品开始走下坡路,发哥优秀作品的绝迹都发生在这段时期。年代末,香港经济遭遇危机,又适逢回归,香港民众心理变化剧烈。经济的萎靡使工作族(最大的影视受众)压力倍增,他们对影视作品的观影口味发生了微妙的变化:《大时代》、《天地男儿》的辉煌时期正是香港最后一代勤奋工作族的事业打拼初期,正装题材作品比较能激起他们的共鸣。而到了世纪末,这代人开始进入中年,观影口味向肥皂剧转变,因此巅峰的《创世纪》没有遇到巅峰的观众,可谓生不逢时。 事实上,上述现象仅仅发生在《创世纪》刚进入荧幕时期,后续随着香港经济的转暖,以及TVB
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宫崎骏的电影永远代表着对和平,安定的向往。开篇的空贼非常吸引我,拉小孩当人质也是温柔以待,就连和红猪对决,调皮的小孩从飞机舱上挤到冲锋枪下,空贼在向红猪开枪扫射时也注意小孩子们的安全。空贼打不过红猪雇佣美国空军来打红猪,要求的也是不许下奸计公平公正的对决,是一群可爱的人。最吸引我的是红猪的性格,他是战争后的英雄,坚守自己的品格,那句“我宁可当空贼也不给法西斯办事”更是体现了他的品格。电影也表达了对人性平等的观点,那句红猪对女主人公的看法“女人能干大
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该剧是一部关注当代年轻人心理状态的电影。影片通过李一甜的内心世界,展现了当代年轻人面对现实压力时的心理反应和应对方式,让人更加关注他们的心理健康。