In 1993, Sam Mendes directed a new production of the show for the Donmar Warehouse in London's West End. It starred Jane Horrocks as Sally, Adam Godley as Cliff, Alan Cumming as the Emcee and Sara Kestelman as Frau Schneider. Cumming received an Olivier Award nomination for his performance and Kestelman won the Olivier for Best Supporting Performance in a Musical. Mendes' conception was a very different show from either the original production or the rather conventional first revival. The most significant change was the character of the Emcee. The role, as played by Joel Grey, in both prior incarnations, was an asexual, malevolent character in a tuxedo with rouged cheeks. Alan Cumming's portrayal was highly sexualized, wearing suspenders (i.e. braces) around his crotch and red paint on his nipples.[4] The cabaret number "Two Ladies" was staged with the Emcee, a cabaret girl, and a cabaret boy in drag and included a shadow play simulating various sexual positions.[5] The score was entirely re-orchestrated, utilizing synthesizer effects and expanding the stage band, with all the instruments now being played by the cabaret girls and boys. The brutally satiric "Sitting Pretty", with its mocking references to deprivation, despair and hunger, was eliminated entirely, as it had been in the film version, and replaced with "Money". "I Don't Care Much", which was cut from the original production, was reinstated, and "Mein Herr" and "Maybe This Time", from the film adaptation, were added to the score.[5] Staging details differed as well; instead of "Tomorrow Belongs To Me" being performed by a male choir, the Emcee plays a recording of a boy soprano singing it. Most dramatic of all was in the final scene in which the Emcee removes his outer clothes to reveal a striped suit of the type worn by the internees in concentration camps on which were pinned a yellow badge (identifying a Jewish prisoner) and a pink triangle (denoting a homosexual prisoner). Other changes included added references to Cliff's bisexuality, including a brief scene where he kisses one of the Cabaret boys.

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马杰虽然身为人事经理，但他对胡建林的遭遇却束手无策，甚至不得不为了保住自己的饭碗而选择隐瞒事实。这种人性的阴暗面让人不禁想起，在现实生活中，有多少人为了保护自己，而不惜牺牲他人的利益。

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港台武侠剧的道具一般都是比较简陋的，这一版也不例外，这部总体还是比较还原的，有些地方改了，但是改的也没有多大问题，也很合情合理，例如光明左使范遥提前领盒饭也没有什么大问题，而且还增加了他的义气的一面，说不得和尚也是这样，为兄弟而死死而无憾，最后的结尾也有点改动，周芷若居然失忆了，宋青书居然没死，这对于周芷若也许是快乐了，因为恨一个人也很痛苦的！

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在这个黑暗的世界里，两个年轻人——新之助和非理谷充，并肩作战，共同面对黑暗之光的威胁。他们的力量在不断成长，他们也不断探索自己内心的力量。面对困难，他们勇敢地面对，面对危机，他们也会勇敢地站出来，为了保护世界，为了保护自己所爱的人。

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【关于Jimmy】 乐器店那块，我为Jimmy点赞，street smart还是很有用的，恶人自有恶人磨。 看到Jimmy利用老奶奶时候，第一次对Jimmy产生了负面观感，他就是可以为了达到自己目的不择手段，好在后面他make it up，还算他承担后果了。看下一季 会发生什么吧。【关于chuck】这一季后我感觉我完全能理解chuck。前面两季对于Jimmy的混混描写，感觉无伤大雅，导致让人无法理解chuck 对Jimmy的憎恨。chuck fight for his own life,不擅长于人际关系,让他嫉妒不学无术但又擅长人际关系的弟弟。chuck 完全有理由