Two villages in Rayalaseema, Nallagudi and Kommadi are engaged in a feud for decades lead by Basi Reddy and Narapa Reddy respectively. The son of Narapa Reddy, Veera Raghava Reddy, returns from London after completing his education. Basi Reddy attacks and kills Narapa Reddy on their way home. Raghava instinctively takes a sword and kills his opponents. After talking to his grandmother about the feud, he realizes that violence became a way of life for the people in these villages and he leaves for Hyderabad seeking a solution to the feud. Raghava meets Aravindha in Hyderabad and falls in love with her. She strongly believes in solving problems without bloodshed and sets him on a path of self-discovery. He decides to return to his village and put an end to the feud.

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该剧是一部非常值得一看的电影，它将动作场面和故事情节完美融合在一起，让观众在观影过程中享受到了视觉和情感的双重刺激。

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电影该剧中的科技元素让人目不暇接，展现了人类在灾难面前的科技创新和智慧。

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这部影片通过讲述一个意外闯入的男孩馒头，展现了一个关于“寻找”的故事。故事中，大雨过后，馒头揭示了大龙湾的暗流涌动和父亲的秘密。

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电影相比原著追加了许多明确的政治符号，将暧昧不清的小镇式的麻木与荒诞转变成了时代性的惊悚，所以很能理解为什么会招致原著读者的不满，只是我个人觉得本片选择的这些符号还挺有趣。突发、随机及压抑唤起的死亡冲动在废楼探险的小男孩无法在开门前得知其后是又一个房间亦或是致命的断崖，马哲像买彩票一样从洒落的乒乓球里抽出他的三等功，腹中孩子面临着概率为%的伴随一生的先天缺陷。作为严打典型形象的死者们及其所牵涉的社会背景展现出了不可捉摸之命运的潜在面貌。疯子显然是压抑心理的具现化，扮演